By Harold Goldberg
It’s not for kids anymore. Maybe, gaming never really was. That’s the impression I got when I watched “The King Of Kong,” Seth Gordon’s landmark film about the best competitors at the classic and very, very tough arcade game, “Donkey Kong.” The rivalry presented in Gordon's film is serious and weighty, akin to a heavyweight championship like Ali versus Frazier, or the Yankees versus the Red Sox in the World Series.
There’s nothing all that fancy about Gordon’s camera-work, although it does capture suburbia in all its quietly hissing glory. But what Gordon has shown is a kind of Wild West shootout in which the king of the “Donkey Kong” hill, Billy Mitchell, is challenged by Steve Wiebe, a guy who’s never been Number One in anything. Every time Wiebe comes close, fate or nerves trumped his skills. In “The King Of Kong,” you also get to meet the folks who run the official game stats Web site, Twin Galaxies. All these folks know each other, and though they don’t say it outright, they don’t seem to want new people barging in and taking the crown from the charismatic, good-looking Billy Mitchell. Mitchell, bright and well-spoken, seems like perfect mouthpiece for old school gaming. Twin Galaxies would stand to lose a lot if the quiet, self-effacing Steve Wiebe were to win the “Donkey Kong” highest score.
How does the film win where others have fallen short? Gordon’s filmed a man with a martyr complex versus a man with a messiah complex. That’s compelling. Plus, there’s a good bit of that brilliant Errol Morris spirit alive in Gordon’s interviewing skills. What Gordon shows, as objectively as he can, is both the pride and ego of the aging professional gamer and the unsure family man who craves the crown. Yet he never mocks these gamers. As the film craftily unfolds, you feel as though the guys in Twin Galaxies are bullies protecting their own turf, the people you didn’t like in school because they were in a holier-than-thou clique. At other times, you feel that they’ve simply got some hard and fast rules about gaming that can’t be bent or broken. At their best, they’re wonderful geeks who are full of self-respect, not self-importance. At their worst, they’re plotting and unwittingly evil, willing to break a few of the seven deadly sins (and worse, their own rules) to protect themselves and their records.
While I don’t want to spoil the film for you, Billy Mitchell at the top of the heap sets aside one important thing about the rules of power. As David T. Bazelon, one forgotten but supremely exceptional writer from decades ago would have said, Mitchell forgets that those who rule best have a knack for communication and compromise. Mitchell has neither.
I never before believed that the world of video game competition would be so dramatic and compelling to watch. I forgot completely about the occasional lack of creativity in the photography. I forgot about the cheesy addition of music like “Eye of the Tiger” during the film’s latter scenes. When you take “The King of Kong” as a whole, what Seth Gordon has done is to make a film that’s so full of tension, so full of story, you’ll be sitting on the edge of your seat from the beginning until the end. For beyond its Wild West rivalry, beyond its David versus Goliath battles, there are lessons about human nature to be learned, deep lessons about safety in numbers, about winning at any cost, about honesty, loyalty, power and jealousy.
http://www.sethlewisgordon.com/
Director Seth Gordon